I am curious about behaviors, especially automatic, involuntary, uncontrolled ones. I investigate the correspondences between physical and mental conditions, between movements and emotions. I act in uncomfortable and unprotected places, inside me, outside of me. I investigate the ways of enjoying the surrounding reality by focusing on observation skills in everyday, routine contexts; this is also why my gesture is often mimetic.
I find in repetition the time of understanding and in the gaze of the other the meaning of making art.
In my work I see the gesture of sharing ideas and coexistence in creative doing as synergic acts aimed at the continuous elaboration of the self. This is why artistic collaboration is also a choice dictated by my poetic needs that always correspond to existential ones.
I am interested in points of oversight and I find a form of empathy in the corner.
In my path, painting remains an intimate moment of expression.
With my work I want to look where the eyes prefer not to see; I believe in art as a form of denunciation.